Blew off M2 yesterday and went instead to a second-run cineplex in Northridge to see The Two Towers, a worthy sequel but inferior to the original. A cagey move, on my part: admission was only $3.50, and I didn't have to fight my way through a crowd to see it. Now I know why my friend predicted that if they ever made a movie of my life, I would be played by Brad Dourif. The other important discovery from this film is that Elvish is now the second language in which Liv Tyler cannot act.
The always-amusing Los Angeles Times published one of its hardy perennials this morning, a column decrying the fact that motion pictures are increasingly geared towards teenagers and young adults. Together with the complaint that "there are no roles for women over 40" in movies (btw, why is that supposed to be so outrageous, but not the fact that there are no positions on NFL rosters for men over 40), it's safe to say that some variation of this theme has been published every year since 1960.
C'mon, is anyone really shocked or outraged at this state of affairs? Let's face it, the only people motivated to get out of the house to see a movie (and brave the conditions referenced here) are the young. Movies are a relatively cheap date, where you can kill a couple of hours and maybe even get lucky. Naturally, in the free market, movie studios are going to aim their product at that audience, whilst adults are served for the most part by HBO and the TV networks. If you are a bit more, well, settled, it's much easier just to wait til the films you want to see go to video, where you can watch them in the privacy of your home without losing anything.
Not that adults are missing a whole lot. Just look at the last few movies to win the best film Oscar. Gladiator. A Beautiful Mind. Chicago. The English Patient. Titanic. Braveheart. All of them, pure unadulterated crap. Probably the best of the lot, Shakespeare in Love, will be remembered only because Miramax waged one of the most vulgar campaigns on record to win the award, which it stole from a legitimate classic. I have nothing but kind words for American Beauty, since my sister worked on it as an Assistant Art Director, but lets just say that it loses quite a bit of its sting the second time you see it. And none of those movies are "youth-oriented". You have to go back to Schindler's List to find the last time the Best Film Oscar went to a movie that was better than an average episode of "The Sopranos" or "The Shield".
In any event, complaining that movies are geared to adolescents is a sure sign of fogeyness, hopefully one that I can inure myself to. I may be saddened at my own departed youth when I realize I don't "get" the popularity of Seann William Scott, or that I can't identify any rapper other than Eminem, but there's no point whining about it. Youth shall be served.
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