Just when it seemed that Hollywood had turned a post-election page in the culture wars, the commissars of the right cooked up a new, if highly unlikely, grievance against "Holly-weird," as they so wittily call it. This was no easy task.[link via TalkLeft]
They couldn't credibly complain that "The Passion of the Christ" was snubbed by the movie industry's "elite" (translation: Jews), since it nailed three nominations, including one for makeup (translation: really big noses). That showing bested not only "Fahrenheit 9/11" but "Shrek 2," the year's top moneymaker. Nor could they resume hostilities against their perennial bogeymen Ben Affleck, Susan Sarandon, Sean Penn, Barbra Streisand and Whoopi Goldberg. All are nonplayers in this year's awards.
So what do you do? Imagine SpongeBob tendencies in the carefully sanitized J.M. Barrie of "Finding Neverland"? Attack a recently deceased American legend, Ray Charles, for demanding that his mistress get an abortion in "Ray"? No, only a counterintuitive route could work. Hence, the campaign against Clint Eastwood, a former Republican officeholder (mayor of Carmel in the late 1980s), Nixon appointee to the National Council of the Arts and action hero whose breakthrough role in the Vietnam era was as a vigilante cop, Dirty Harry, whom Pauline Kael famously called "fascist." There hasn't been a Hollywood subversive this preposterous since the then 10-year-old Shirley Temple's name surfaced at a House Un-American Activities Committee hearing in 1938.
February 15, 2005
Frank Rich, on the Right's latest vendetta against a pinko Hollywood pervert: